L.S. Dunes (MCR, Coheed, Thursday, Circa Survive) Dissect Previous Lives Observe by Observe

Supergroup L.S. Dunes have simply dropped their extremely anticipated debut album Previous Lives. The LP’s launch consummates a five-headed collaboration between like-minded musicians who’re reduce from the same fabric: My Chemical Romance’s Frank Iero, Coheed and Cambria’s Travis Stever, Circa Survive’s Anthony Inexperienced, and Thursday’s Tim Payne and Tucker Rule.

With such a wealth of mixed expertise, it’s no shock that the 11 songs on Previous Lives are a tour-de-force of post-hardcore. The album is very rewarding for many who are acquainted with every band member’s previous work. On every track, you possibly can catch sonic idiosyncrasies and easter eggs that inevitably set off a pang of nostalgia. For instance, Iero’s catchy chord progressions will perk the ears the MCR devoted. In the meantime, Anthony Inexperienced’s impassioned vocals make Previous Lives obligatory listening for Circa Survive followers.

The collective consciousness tends to pigeonhole supergroups as lesser initiatives — a distraction from every member’s day job, half-baked collabs, and so forth. — however L.S. Dunes put within the time and work to make their debut album extra substantial. Simply take it from the band members themselves, who supplied up a track-by-track breakdown of Previous Lives solely for Heavy Consequence. Their remarks reveal simply how a lot care and energy went into the songwriting and recording course of.

Stream all the Previous Lives album and browse the track-by-track breakdown from L.S. Dunes’ particular person members beneath.


“2022” might be essentially the most private track that I’ve ever written in my life. Each time I get to the verses of that track, I get a lump in my throat like I mentioned an excessive amount of. I by no means desire a track to harm or fear anybody, however additionally they can’t be a spot that I cover in. Engaged on your self and getting higher is a sluggish course of. “2022” is a mirrored image on the persistence that’s required of an individual throughout the strategy of restoration, if you’re conditioned in the direction of the hunt for rapid gratification. There are moments if you’re combating in your life, moments if you don’t assume you possibly can maintain going. In these moments, I all the time want to inform somebody — as a result of that help you get from individuals who imagine in you can also make an enormous distinction. — Anthony Inexperienced


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“Antibodies” began as the primary group of riffs that I despatched in. It was additionally the primary group of riffs that had been despatched round normally. After receiving a joint textual content from everybody, I made a decision to take a seat proper down and work on a riff. I’ve a tuning that I’ve used on just a few songs previously; I tune the low E as much as F. It makes for a very cool strategy at taking part in the low E open whereas barring the remainder of the strings. I went straight to that tuning. I wished to ship one thing distinctive however nonetheless catchy. I respect all the fellows a lot as musicians and wished this to work, so mentally, I used to be like.. “You gotta ship one thing good!” No strain, proper? As everybody added their components to the track, it was clear we had a chemistry. Ultimately, this could even be the primary Previous Lives track that Anthony added vocals to. Which blew our minds. And right here we’re. — Travis Stever

“Gray Veins”

I stumbled onto the intro bass line for “Gray Veins” one night time, however I I used to be taking part in it within the higher register. It was this actually quirky little riff and I really thought it is perhaps a bit too left of heart to even convey to the band. I had already satisfied myself that they’d hate it, however I figured I’d ship it anyway simply to see if it sparked any concepts.

I bear in mind instantly after sending it within the group textual content, most likely at like 3 a.m., everybody reacting to it with such pleasure. We had all been on the edges of our seats ready for concepts to be despatched and everybody jumped on it instantly. Tucker added the preliminary verse beat, after which Frank got here out of nowhere with this positively excellent verse/refrain development and it really blew my thoughts. Listening to Travis’ leads and verse melodies, then Anthony’s vocal concepts and lyrics actually introduced this little thought to such loopy locations. It’s truthfully nonetheless exhausting for me to wrap my head round. — Tim Payne



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