It’s arduous to inform precisely whether or not Netflix’s new animated model of Charles Dickens’ Yuletide traditional is geared to very younger kids who reply to sensory overload or drugged-out school college students on the lookout for sensory overload.

In both case, Scrooge: A Christmas Carol delivers it in spades, offering a turbocharged rendition of the story aimed for max visible affect. A really free remake of the live-action 1970 musical Scrooge starring Albert Finney, this model additionally options songs from that movie composed by two-time Oscar winner Leslie Bricusse.

Director Stephen Donnelly has promised to offer “psychedelic, time-traveling and musical surprises” on this umpteenth model of the oft-dramatized story, and he lives as much as his phrase, for higher or worse. The movie’s vibrant animation — the opening sequence depicts a London extra colourful than it’s ever been — feels extra Hanna-Barbera than Dickensian. And it quickly will get downright trippy in its frenetic, science fiction-style visuals that depict Scrooge hurtling from one time dimension to the following, incessantly that includes supernatural components. The movie’s model might doubtlessly jar the sensibilities of its youngest viewers. However, this Scrooge owns an cute canine, so there’s that, though it’s arduous to think about him shelling out his hard-earned cash to feed it.  

A terrific forged has been assembled, beginning with Luke Evans as a Scrooge with appropriately white hair however a face easy sufficient to counsel he’s had Botox. The Welsh actor does high-quality within the function, utilizing his intensive theatrical musical expertise to good benefit in his songs. However when Jonathan Pryce reveals up as a really scary Jacob Marley, you end up considering what a terrific Scrooge he would have been. Oscar-winner Olivia Colman voices a very chipper Ghost of Christmas Previous, even when her character, sporting an outsized candle on high of her head, appears to be like extra like she belongs in Magnificence and the Beast.

All the ghostly characters are depicted in exaggerated vogue. The enormous-sized Ghost of Christmas Current, accompanied by tiny alien-like winged minions, brings to thoughts one other Disney musical. As boomingly voiced by Trevor Dion Nicholas, he resembles the genie in Aladdin, a job that Nicholas performed within the London manufacturing. The Ghost of Christmas Future brings the proceedings into full horror mode, with the silent, forbidding specter sporting fiery eyes (there’s a lot fireplace on show all through that the movie appears designed for budding younger pyromaniacs) and Scrooge descending to what appears to be the bowels of hell.

It’s all a bit a lot, actually, and the fixed tonal shifts from a type of demonic Fantasia to bouncy musical numbers proves greater than a bit jarring. It doesn’t assist that not one of the songs are significantly memorable. (Anybody keep in mind “Happiness,” “I Like Life” or ‘Christmas Youngsters” from the 1970 movie? Didn’t suppose so.) There are some charming moments, significantly when Scrooge visits his previous and encounters his misplaced love Isabel (Jessie Buckley), on this model the daughter of Mr. Fezziwig (James Cosmo). Normally, Scrooge is depicted in additional sympathetic vogue than common, making his transition to full-throated vacation cheer on the finish of the story much less impactful.  

That is definitely not a Christmas Carol for purists, and the over-the-top if undeniably imaginative animation might show off-putting to these not already on a sugar excessive. However it offers a good sufficient introduction to the story for youthful viewers who will hopefully transfer on to extra refined variations of the traditional story. The movie is devoted to Bricusse, who handed away final yr.